
Creating & Performing Knowledge is concerned with thinking critically about music; it is about how our thought becomes internalised and becomes part of our musicianship.
Creating & Performing Knowledge equips students with skills that facilitate the recognition and development of their individual musical instinct and intellect. Introducing elements of history, analysis, aesthetics, and performance practice as interdependent tools, Creating & Performing Knowledge acknowledges the close relationship between these (and other) subjects and the student’s Principal Study.
These relationships are expressed, not just through Principal Study, but also through a variety of media, encouraging students to gain confidence in communicating their musicianship to a diverse audience.
Across the first three years of the BMus course, Creating & Performing Knowledge guides the student to an increased individuality of study, culminating during Year 3 in a substantial piece of personal research that allows the student to explore aspects of their developing identities as artists.
- Course creator: Christopher Suckling
- Teacher: Chris Allard
- Teacher: Christopher Allard
- Teacher: Andrew Bottrill
- Teacher: Bruno Bower
- Teacher: Fergus Brignall
- Teacher: David Corney
- Teacher: Catherine Cranston
- Teacher: Barbara De Biasi
- Teacher: Martin Hathaway
- Teacher: Lucien Jenkins
- Teacher: Jo Lawry
- Teacher: Peter Longworth
- Teacher: Barnaby Medland
- Teacher: Flora Medlicott
- Teacher: Corinna Sanett
- Teacher: Alessandro Timossi
- Teacher: Paul Whitmarsh
- Teacher: Katharine Williams
- Course creator: Christopher Suckling
- Teacher: Catherine Cranston
- Teacher: Liam Donegan
- Teacher: Daniel Hignell-Tully
- Teacher: Lucien Jenkins
- Teacher: Matthew Kaner
- Teacher: Matthew King
- Teacher: Malte Kobel
- Teacher: Peter Longworth
- Teacher: Malcolm Miles
- Teacher: Emily Peasgood
- Teacher: Rhiannon Randle
- Teacher: Maria Razumovskaya
- Teacher: Jemily Rime
- Teacher: Corinna Sanett
- Teacher: Alessandro Timossi
- Teacher: Paul Whitmarsh
- Teacher: Gareth Williams
- Teacher: Katharine Williams

Creating & Performing Knowledge is concerned with thinking critically about music; it is about how our thought becomes internalised and becomes part of our musicianship.
Creating & Performing Knowledge equips students with skills that facilitate the recognition and development of their individual musical instinct and intellect. Introducing elements of history, analysis, aesthetics, and performance practice as interdependent tools, Creating & Performing Knowledge acknowledges the close relationship between these (and other) subjects and the student’s Principal Study.
These relationships are expressed, not just through Principal Study, but also through a variety of media, encouraging students to gain confidence in communicating their musicianship to a diverse audience.
Across the first three years of the BMus course, Creating & Performing Knowledge guides the student to an increased individuality of study, culminating during Year 3 in a substantial piece of personal research that allows the student to explore aspects of their developing identities as artists.
- Course creator: Christopher Suckling
- Teacher: Catherine Cranston
- Teacher: Liam Donegan
- Teacher: Daniel Hignell-Tully
- Teacher: Lucien Jenkins
- Teacher: Matthew Kaner
- Teacher: Matthew King
- Teacher: Malte Kobel
- Teacher: Peter Longworth
- Teacher: Malcolm Miles
- Teacher: Emily Peasgood
- Teacher: Rhiannon Randle
- Teacher: Maria Razumovskaya
- Teacher: Jemily Rime
- Teacher: Corinna Sanett
- Teacher: Alessandro Timossi
- Teacher: Paul Whitmarsh
- Teacher: Gareth Williams
- Teacher: Katharine Williams

Creating & Performing Knowledge is concerned with thinking critically about music; it is about how our thought becomes internalised and becomes part of our musicianship.
Creating & Performing Knowledge equips students with skills that facilitate the recognition and development of their individual musical instinct and intellect. Introducing elements of history, analysis, aesthetics, and performance practice as interdependent tools, Creating & Performing Knowledge acknowledges the close relationship between these (and other) subjects and the student’s Principal Study.
These relationships are expressed, not just through Principal Study, but also through a variety of media, encouraging students to gain confidence in communicating their musicianship to a diverse audience.
Across the first three years of the BMus course, Creating & Performing Knowledge guides the student to an increased individuality of study, culminating during Year 3 in a substantial piece of personal research that allows the student to explore aspects of their developing identities as artists.
- Course creator: Christopher Suckling
- Teacher: Bruno Bower
- Teacher: Catherine Cranston
- Teacher: Barbara De Biasi
- Teacher: Liam Donegan
- Teacher: Martin Hathaway
- Teacher: Daniel Hignell-Tully
- Teacher: Matthew King
- Teacher: Peter Longworth
- Teacher: Emily Peasgood
- Teacher: Rhiannon Randle
- Teacher: Maria Razumovskaya
- Teacher: Jemily Rime
- Teacher: Gavin Roberts
- Teacher: Corinna Sanett
- Teacher: Richard Uttley
- Teacher: Paul Whitmarsh
- Teacher: Gareth Williams
- Course creator: Christopher Suckling
- Teacher: Christopher Allard
- Teacher: Andrew Bottrill
- Teacher: Bruno Bower
- Teacher: Fergus Brignall
- Teacher: David Corney
- Teacher: Catherine Cranston
- Teacher: Barbara De Biasi
- Teacher: Liam Donegan
- Teacher: Martin Hathaway
- Teacher: Daniel Hignell-Tully
- Teacher: Lucien Jenkins
- Teacher: Matthew Kaner
- Teacher: Matthew King
- Teacher: Malte Kobel
- Teacher: Peter Longworth
- Teacher: Barnaby Medland
- Teacher: Flora Medlicott
- Teacher: Malcolm Miles
- Teacher: Emily Peasgood
- Teacher: Rhiannon Randle
- Teacher: Maria Razumovskaya
- Teacher: Jemily Rime
- Teacher: Gavin Roberts
- Teacher: Corinna Sanett
- Teacher: Alessandro Timossi
- Teacher: Richard Uttley
- Teacher: Paul Whitmarsh
- Teacher: Gareth Williams
- Teacher: Katharine Williams